I’m delighted to be host to this fantastic guest post by David Mearns, a fellow English teacher here in Istanbul. I first met David more than a decade ago and have always been amazed by the energy and enthusiasm he has for this job. Enjoy…
In Grant Wiggins and Jay McTighe’s marvellous educational text book, Understanding by Design, (Pearson, Merril Prentice Hall, 2006), educators are invited to reflect on their curricula and syllabus and decide whether what they are presenting to students is really being understood or not. It is their firm belief that the reflections of educators unfortunately bears out the latter across the board. They, thus, propose an approach to education that asks teachers to considerBackward Design as a springboard to improving teaching practices, curriculum content and assessment, so that students experience truer understanding of the subject matter, materials and take control of their own learning.
On being invited to blog for Adam’s highly active & informative ‘ELT-(cyber)space, A Year in the life of an ELT Teacher, andnow that I have been bitten by this interactive-caring-sharing ‘elearning-bug’, I considered what I would like to share with him and his readers. On reflection of my initial ramblings, I realised they have been centered around ITC and Web 2.0 considerations, and I thought that it would be good to share some of my experiences as a seminar participant and subsequent practitioner of Understanding by Design (UbD), so that I can address some sort of balance in my own approach to ELT and education, and not give the impression that I have forfeited everything pedagogically in favour of technology in and out of the classroom. Therefore, although I embrace technology with open arms, I will only briefly allude to that passion, as this post will outline a particular approach to organising the way I intend to present a video to the Hazırlık class (sts preparing for high school after eight years).
So, to begin with, a bit of background about how we teachers at Hisar Schools have begun the huge task of changing the design of our curricula and approaches to content therein. We were introduced to UbD as core-team members towards the end of last year with the aim of developing the ‘understanding’ of what UbD means. It was proposed that once we had understood the basic premise(s) and underlying principles, we could transfer that to our colleagues through workshops and seminars. In all respects of PD it was a rather considerable learning curve for each member. Although much of what the authors are relaying is entrenched in our own prior-knowledge of “what we need to consider” and “how to plan good educational unit” paradigms, it is the clarity and simplicity of knowledge transfer with which UbD excels at uncovering what we all need to do in order to transfer information, knowledge and pedagogues to our students, that makes it such an interesting and viable working framework.
After six months of the part-time course at Hisar with our PD-leader, Paul Morgan, where we were introduced to the basic theoretical principles as outlined in the original publication, it soon became very clear to all the participants that we were on to something very special for our truer understanding of what it is we need to teach our students in order for them to have a more fulfilling educational experience. I will give examples of how I have transferred that pd to my my own working practices a little later. But suffice it to say, the most telling understanding that struck me, and has stuck with me throughout all of my own UbD pd, and to which I owe the phraseology to a very dynamic dynamic and thought-provoking educator from the States, Margo Guilott, who works closely with the authors in spreading the UbD word through on-line education and out-in-the-field seminars, is: “It’s not about covering the syllabus, but uncovering the syllabus.”
When Margo uttered this wonderfully illuminating sentence to our core-group of teachers, via a video link in June, I was hooked on the concept and ideology of Understanding by Design. Too many of us as teachers are only too willing to go with what has been written for them, or what they have written before as the ‘best’ way to approach planning and lessons. Typical comments like, “Well, it kind of worked last year, so I’ll go with it.”,and “The students have to do it this way. If they don’t get it, what am I supposed to do?” or “My students always answer the questions I give them. They definitely get it.”, have always left me cold, and unfortunately I have been guilty of those responses as wellL. UbD offers educators the opportunity to remove such thoughts by getting to what it is students actually need. Teachers are expected to look at what it is they are teaching and find out what are the best outcomes from the topics covered and assignments undertaken; not to mention the move towards formative assessment as an integral part of the syllabus.
Allow me to show by example of how my colleague, Brentson Ramsey,and I, have gone about revamping and uncovering our Hazirlik syllabus in order to give a much more complete and satisfying learning experience to our students.
UbD Template used by teachers to outline their objectives and learning outcomes, assessments and tasks to be implemented.
When presenting videos to students many teachers are under the false impression that the only outcome they can hope to achieve is that the students “have fun.” Many others will only use video as a means of pacifying their students and for filling in time at the end of the lesson, day or semester. I propose that this myth can be busted (thanks Adam Savage), so that video can be an integral-pedagogical part of our lessons and syllabus.
Our current trend for visual feasts via youtube and the like in the sober social past-time constructs has made our lives as teachers more interesting. I write this as someone who has always appreciated visual stimuli as a student, but now I believe that the inclusion of more video for instruction (see my blog on Dave Dodgson’s that proposes the use of video for feedback in the writing process) opens up a world that you and your students will experience a much more satisfying and engaging learning experience.
The video that I want to show you in this blog involves a dog who retrieves a ball from a pool. As you watch it I’d like you to think what both teachers and students could learn from it:
A DOG IN THE POOL
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ENGAGING YOUR AUDIENCE NOT JUST “FOR FUN”
Now, clearly, this is a “fun” video. Definitely one that will get your students laughing and talking, as well as being engaged for sure. This is your first teaching moment. Here you have a cute dog, a ‘clever’ dog with an unusual ball retrieving style; here your students can relate this to their own lives. Most of them, if not all, will have a dog or at least know a dog whose attempts by its owners to teach it to do tricks have succeeded or failed miserably. Enter: ICRD (Immediate Connect, Reaction & Discussion) [an attempt to add yet another acronym to the ESL-community J] It is so important that your video of choice engages your audience. It cannot be that it only satisfies You because you think “They will like it, and have fun”.
So, you engaged them through their prior knowledge and interest in their own child-love of the pet dog-trick world. Is this now an end to the video? Absolutely not! Discussion is important for sure, but it is the further-follow up that will procure more learning and understanding of what it is videos are and should be used in the classroom.
As I wrote above, the follow up to video is what will get the truer understanding of the visual media presented. In our case we plan to use penzu.com as a means to get students to write journals in response to the videos they will watch every Friday afternoon. In terms of the UbD template we see that the opening box asks for justification of: “students will be able to independently understand…” this is the strength of the overall outcome: identify, respond, write, display confidence & communicate their own message. This strong-verb consideration is tantamount to success in the teachers’ overall planning of a unit. This particular video lasts only one and a half minutes, yet it has some very deep and thoughtful considerations for students highlighted and asked by Brentson and Myself.
The next section, and my particular favourite, is the “UNDERSTANDINGS” section. This is where we expect students to have thought way outside the box in order to fully benefit from such media (or any mode of teaching and learning for that matter). Students will understand that thematic investigative enquiry and personal opinions can be shared. By responding through writing and doing it as a homework assignment where the students have to rethink or review the video is surely meaningful for getting students to better understand? The final consideration moves away from the surface of the video and what the students think and into what goes on behind the scenes and into the director’s (or in this case dog owner) frame of mind. Of course we or the students can never know that for sure, but it is the investigative enquiry and subsequent belief in what they have seen that leads to a better understanding of the content.
The final section leads the teacher and students into the style of questioning we are all very accustomed to. It follows on in order through the Blooms Taxonomy sense of enquiry by starting with surface and recall, and moving onto more thought-provoking questions. Essentially, thinking outside the box.
- · Why is there a mattress in the pool?
- · What’s the motive of the owner?
- · Is it possible for dogs to do this with conscious thought?
As you read through my proposal for video in the classroom, and a (very)brief explanation ofWiggins and McTighe’s excellent work, ask yourself whether you believe that by getting students to think past the obvious-surfacelevel is an impractical way to get them to understand anything you may want to present.
- Why is the mattress in the pool?
Well, it shouldn’t be; Why would there be a mattress in the pool?; Who keeps a mattress in a pool? Has the mattress been there since day one of the trick?
- What’s the motive of the owner?
She wants her dog to do a trick?; Has she set it all up to get herself (and dog) on tv?; Is she trying to win 50$ from a “funniest videos” tv show?
- Is it possible for dogs to do this with conscious thought?
Of course not, dogs don’t have that, do they?; can the dog differentiate between a mattress or any other floating island in a pool?; would/could the dog find a way without the woman having put the mattress there in the first place?; How is the trick any good without a mattress lying in the family pool? etc etc…
In what I have shared with you in this blog I would hope it that it makes you believe in video-for-the-class as a viable option for really engaging pedagogy. Of course, it needs to be thought out well and properly organised. UbD allows for us as all to investigate and self-reflect on our preparation and practices for designing syllabus. UbD is not prescriptive in What you teach, but asks you to consider How you plan, prepare and teach (PPT- another acronomic newbie?). By asking Essential Questions to initiate thought, before in yourself, and later in your students through a Blooms-style approach of enquiry and investigation will ultimately lead to outcomes-of-Understanding(s) that undoubtedly give students the opportunity to own their learning truly autonomously and effectively. Always remember the wonderful addendum made by my American colleague I referred to earlier,
“Don’t cover a syllabus, UNCOVER your syllabus.”
I hope that you will give the template a shot and if you are interested to try it out, drop me a mail at dmearns@gmail.com or see me on my new blog at http://davidmearns.blogspot.com/ and davidmearns@twitter


















Great post, David.
Big winner with the clear, simple and witty direction of “don’t cover, but uncover the syllabus” and it’s not “what” we teach, but “how”.
The dog video was hilarious, and I’ve used videos like this before— commercials from the 80s by coca cola and McDonalds to start a conversation on advertising. I also used to make videos specifically for my students to share parts of my hometown/culture and to introduce them to the number of accents one can find even in one state in the US. As you pointed out, though, we should as instructors come in with a few solid ideas and directions so we can keep the ball rolling, and make the activities effective language-learning opportunities.
I wonder what you and David think about using video outside of the classroom for language learning ? Both in and outside of class, it has the potential to sap energy if it’s anything more than quick bits. Video is popular now in elearning too. It is many times fun and certainly “engaging”, but again, it’s not that “what” that matters, it’s the “how”.
Would love to have your thoughts. Cheers, Brad
oops… i said David (thinking Dodgson)… I meant Adam of course ! #FolksInTurkey
[where's the edit button !... there isn't one... kinda like life, eh ?]
Thanks Brad for the positive response and posted comments. There is always way too much emphasis by far too many colleagues that what we teach is the only consideration. The way literature has been presented for example for far too many years. There is this horrific snobbery that simply because it has been termed a ‘classic’ that students will read it and thus remove the need for any scaffolding or teaching; especially when you consider that the students I know are all L2-learners; I mean “Lord of the Flies” or the “Crucible” for goodness sake to an audience that has difficulty warding of the fern and fauna let alone decoding any thematic considerations! but I digress from the video aspect of things. Just like Jamie Keddie’s excellent video site, I see video as a really interesting way to teach grammar and writing. The advent of penzu and wikis, blogging and real-time chat rooms will get so much from students. But, for me, not to sound overly radical, but there needs to be a serious revamping of the literary-dinosaurs who still hold on to the idea that a teen will learn to love reading in the class. Well, I am sorry but (s)he will not! Therefore we need to find ways that engage students in reading, writing and listening. If that means short videos, or snipped sections of films with substantial and valid objectives in place then I am all for it. I know that if you ask any student which (s)he would prefer, the answer would come back in the affirmative for pressing the button, instead of turning the page
Brad, how did you get your noggin in the little icon-profile place to the left?
Thanks for the reply, David, and yes I get it… I’ve had this conversation on the “how” vs “what” on a number of blogs already this month… seems to be in the air.
I guess what I’m digging into is this: Edutainment I’m going to be the first to throw a stone… and it’ll be at myself. When I started teaching I found out really quickly that students wanted to have fun in class and I responded. That first year, I did a part “stand-up” show, part the most “fun activities” I could imagine. I don’t know how much progress those students had in my first year. As my style evolved over the years, I tried to find a mid-ground where necessary repetition could happen WHILE encouraging both fun and real progress.
Where does entertainment start and education finish ? I think a number of teachers recognize that fine line over time, but I’m not sure that students do… until they realize that some edutainment approaches are fun, but that they’re not progressing. I hear you that many student would prefer “pressing a button instead of turning the page” and that’s that can of worms of tech vs non-tech. Not going 2 open it up here, but suffice to say that again it’s not the “what” but “the how behind the what”.
Merci 4 the discussion and for your photo-profile, go to gravatar.com and set yourself up with an account… afterwards, wherever you surf the web, you’ll have the same avatar. Cheers
How to use video is not something many teachers are familiar with, but I feel with some short introductions, teachers get into it quite quickly. Keddie’s lessonstream.org is an excellent example. I also have a number of video lessons up at http://turklishtefl.com/for-teachers/lesson-plans/
Your post is about uncovering the syllabus though. I think this is important, but I look at it very differently from what you are describing. Uncovering a syllabus means being fully aware of what you’re trying to teach and why and allowing that to arise from the students. For example, the curriculum says debates are to be taught in week 5, but your students come in one day and are all abuzz about their countries involvement in Libya, so you let the debate run and highlight key aspects of debating throughout the discussion . In your example from the commment above, students are not interested in Lord of the Flies, so what are the key points the curriculum is looking for here. Why not have them read whatever they want and then integrate the same teaching and concept into the books they have chosen. For me, that is uncovering the syllabus. You don’t plough through it blindly, but jump on key affordances as they arise.
Thanks Nick for your comment. However, I think you misunderstood my point about Lord of the Flies. I was referring there to curricula that have such “classic” titles as that fern and fauna extravaganza with the expectation that students will enjoy it. The issue being the text is too lexically dense for the majority, if not all, of L2 learners to give it a chance. This coupled with teachers who genuinely believe that by it being a classic students should want to wade through it. Don’t get me wrong, I love the book, it is just that L2 learners need something more accessible. In hs syllabus and curricula contexts the joy of letting grade 10 students “read what they want” is a non-starter for they simply won’t. It is a double-edged sword and a real headache for my colleagues. That is why I suggest the use of short videos and visual materials to focus on the areas that normally are associated with novels so at least attempting to build those skills for better reading and writing. That does not mean doing away with reading, of course not, but there needs to be more attempts to find suitable and workable texts so that perhaps teens would get to like reading at school. For instance, the success I had with 1984, no mean feat, was down to the cross-over between video clips, extracts from other films and documentary evidence with Orwell himself. It turned out the majority of students ended up preferring that classic to anything else in the year. I would say that the video and visuals allowed the majority to access the wealth of brilliance included therein the novel and opened up a whole new experience for them. The debate on uncovering the syllabus is to get teachers to look at how they go about their planning of any materials and what it is they expect to get from the unit. If they ask themselves this question about how accessible (for instance LoF)the novel is to L2 learners they might then realise it is far from easy and should not just be expected simply because it’s a classic. You also made a very clear distinction between yourself and other teachers: experience. Many teachers need solid frameworks of reference to move through any syllabus. It is not the case for everyone to “jump on key affordances as they arise”; unfortunately this is the reality. What UbD does is to help scaffold a syllabus for those teachers and to help them achieve their goals and set quality objectives for their students. It does not constrict any teacher; quite the contrary. It allows for a framework to be valued and not taken to places that loses sight of the final outcome. I too work like you, I envisage, being that I have many years under my belt (too many than I care to really dwell on), in that I want fluidity in my classroom. UbD allows greatly for that. It is a framework for the teachers to add and remove depending on what works. This is the beauty of uncovering and reflecting on what teachers do.
I really thank you for your comments and fully embrace any debate and discussion that arises from such postings. I hope that some others can add their comments to see how they feel about “uncovering” the syllabus
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Great post, David & Adam. I love when there are more and more examples of how to integrate video (or any technology) into the classroom with a pedagogical foundation. So many people don’t know how to do that.